Deadline: May 31, 2019
Modos Art Journal
Dossier Disciplinary Canibalisms. Between Art History and Anthropology: Museums, Collections and Representations.
Based on the book «Canibalismes disciplinaires», by Thierry Dufrêne e Anne-Christine Taylor, and inspired by the «Art History and Anthropolohy Symposium» organized by the Quai Branly Museum at Paris in 2006, as well as the thirtieth anniversary of the much-discussed 1989 exposition «Magiciens de La Terre» (Centre Georges Pompidou) and its repercussions to museums and art expositions in both France and non-European countries, this dossier seeks to compile investigations made by researchers who are concerned with relations, connections, conflicts and contradictions operated by such contemporaneous narratives and representations produced at an intersection between Anthropology and Art; favoring objects, processes, events and institutions that drift between these fields in a process of mutual cannibalism. In these intersections, museology is the third key in this relationship because it operates with the objects’ transformations, investing them with processes unique to their fields, covered by the notion of musealization, a symbolic and creative act that produces senses and creates values. Thus, issues such as context, origin, authenticity, (re-) socialization, artificiation, colonialism, decolonization, hybridity and numerous others stimulate debate and approximation in museological projects, collectors, curatorials, et cetera.
Please send your papers by 31 May 2019 to: revista.modos@gmail.com
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Further informations and instructions for authors can be accessed by: https://www.publionline.iar.unicamp.br/index.php/mod/about/submissions#onlineSubmissions
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Dossiê Canibalismos Disciplinares. Entre a História
da Arte e a Antropologia: museus, coleções e representações.
Na esteira do livro «Canibalismes
disciplinaires» de Thierry Dufrêne e Anne-Christine Taylor e inspirados
pelo «Simpósio História da Arte e Antropologia”, organizado pelo Museu do
Quai Branly (Paris), em 2006, além dos trinta anos da discutida exposição
«Magiciens de la Terre” (Centro Georges Pompidou), de 1989,em suas
repercussões para os museus e exposições de arte na França bem como em países
não europeus, o presente dossiê busca acolher investigações de pesquisadores da
história da arte, das ciências sociais e da museologia preocupados com as
relações, as conexões, os conflitos e as contradições operadas pelas narrativas
e representações contemporâneas produzidas na intercessão entre a antropologia
e a arte; privilegiando objetos, processos, eventos e instituições que navegam
entre as duas áreas, num processo de canibalismos mútuos entre essas duas
práticas disciplinares. Nestas intersecções, a museologia é a terceira chave
deste relacionamento pois opera com as transformações dos objetos,
investindo-os em processos singulares e próprios do campo, abarcados pela noção
de musealização, um ato simbólico e criativo que produz sentidos e cria
valores. Sendo assim, questões como contexto, origem, autenticidade, (re)
socialização, artificação, colonialismo, descolonização, hibridismos,entre
tantos outros, estimulam o debate e as aproximações em projetos narrativos,
colecionadores, curatoriais etc.
Editors
http://www.publionline.iar.unicamp.br/index.php/mod/index
Código: PR75/18
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